Showing posts with label Pro Tools. Show all posts
Showing posts with label Pro Tools. Show all posts

Digidesign Eleven Rack Guitar Multi Effects Processor and Recording Audio Interface



Digidesign's Eleven Rack is a revolutionary guitar recording system designed to solve the challenges guitarists face in the studio and on stage. Eleven Rack uses a unique tone cloning design and one-of-a-kind, custom-designed True-Z input to re-create the experience of playing through a full guitar rig. By combining studio-Standard Pro Tools software with a DSP-accelerated high-resolution interface, Eleven Rack puts professional recording into the hands of every guitar player. Whether you're tracking in the studio or playing on stage, this rackmountable multi-effects processor delivers fresh, mind-blowing, hyper-realistic guitar amp and effects tones that will inspire your best performances.

Eleven Rack in the Studio
Eleven Rack combines studio-standard Pro Tools software with a high-resolution, dual DSP-powered audio interface so you'll never have to worry about latency when recording with its built-in amp/effects tones -- nor will your computer have to carry the processing burden. Eleven Rack also takes re-amping to the next level by recording both dry and processed guitar signals simultaneously, allowing you to re-amplify later without patching a single cable. We even found a way to embed the Eleven Rack amp and effects settings into the audio tracks you record, enabling you to automatically recall those settings from your audio files on any Pro Tools system with Eleven Rack.

Eleven Rack On Stage
Eleven Rack also rocks onstage as a standalone amp tone and effects signal processor -- we pulled out all the stops to make sure it sounds and feels just like playing through the real deal. We also included a classic collection of effects, from must-have stompboxes to world-class rackmount studio processors. Eleven Rack has all the I/O flexibility you need to integrate it into your existing rig, and easily incorporate the tones you've recorded with into your live setup -- closing the gap between studio and stage. Eleven Rack also offers incredibly powerful control options using affordable MIDI controllers and expression pedals, giving you full foot control over everything from vintage wah effects to tempo-driven delays and more.

Eleven Rack combines hyper-realistic guitar amp and effects tones with a dual-DSP-powered interface and studio-standard Pro Tools LE(R) software to create the ultimate recording solution for guitar players.

Introducing True-Z
Among guitar tonehounds, it's a well-known fact that input impedance -- the electronic resistance found in the input circuit of the amp or effect you're plugged in to -- has a huge impact on your guitar tone. We realized that re-creating this electronic relationship was critical in nailing the sound and feel of our emulations. Others have tried to fake this with signal processing but we weren't satisfied with a one-size-fits-all-approach. Each guitar reacts uniquely with each amp or effect -- so we had to come up with a true analog solution that allows your guitar to interact realistically with our amp and effect re-creations.

That's why we developed True-Z -- a unique analog input circuit that replicates the input impedance of classic stompbox pedals and guitar amps, resulting in amazingly realistic sounds. It's almost as if the True-Z input on Eleven Rack morphs into the 1/4" input jack of whatever classic stompbox or amplifier you are using. When you plug into Eleven Rack, you get the same response -- and same great tone -- as when plugging in to a vintage stompbox or guitar amp. You can also manually control the impedance of the True-Z input and set it to a value that suits your playing best.



Eleven Rack Hardware
- Unique True-Z auto-impedance matching guitar input

- Incredible emulations of classic guitar amp tones inspired by Fender(R), Vox(R), Marshall(R), Soldano, and Mesa/Boogie(R) amps*

- Refined collection of sought-after classic stompbox tones inspired by effects from MXR(R), Electro-Harmonix(R), Ibanez(R), ProCo, Univox(R), and more*

- Powerful collection of studio-quality rackmount effects processors

- Convolution-based cabinet emulations deliver unprecedented realism in cabinet tones

- Convolution-based microphone emulations inspired by classic dynamic, condenser, and ribbon mic designs

- Integrated FX loop switchable to incorporate existing mono or stereo rack and stompbox effects

- Controllable via MIDI controllers and expression pedals

- Built-in tuner

- Tap-tempo control of time-based effects

- High-speed USB 2.0 connection

- Supports up to 8 simultaneous channels of high-resolution recording up to 24-bit/96 kHz

- Stereo balanced XLR outputs and dedicated 1/4 in. outputs

- XLR mic input with 48V phantom power and pad switch

- 2 x 1/4 in. line-level inputs

- AES/EBU and S/PDIF digital I/O

- Stereo 1/4 in. headphone jack

- 1 x 1 MIDI I/O

* Eleven Rack is not connected with, or approved or endorsed by, the owners of Electro-Harmonix(R), Fender(R), Ibanez(R), Marshall(R), Mesa/Boogie(R), MXR(R), ProCo, Soldano, Univox(R), and Vox(R) names. These names are used solely to identify the guitar amplifiers and effects emulated by Eleven Rack.

Tone
Up until now, amp modeling solutions haven't really delivered the full depth, dimension, and response of a mic'd up rig. Digidesign decided to take this challenge head on to ensure Eleven Rack truly re-creates the experience of playing through the most coveted guitar amps in the world. Check it out:

- Digidesign spent years scouting a connoisseur's collection of vintage and modern amps and cabinets, paying special attention to choosing amps that represented the best of their generation and remained unmodified from their original design. We then painstakingly inspected every component, took detailed measurements, and captured every stage of the signal path -- point to point.

- Digidesign incorporated nuances like power amp sag, ghost notes, and cabinet resonance that other amp modeling developers overlooked, giving our clones the truly multi-dimensional tone and hyper-realistic response previously only achievable by mic'ing a real amp.

- Digidesign set out to invent an input circuit that re-creates the electronic relationship between your guitar and an actual amp or effect. This can't be done digitally -- so we developed a unique True-Z direct input that automatically adjusts the input impedance to match that of the particular amp/effects rig signal chain. Thanks to the True-Z input, plugging into Eleven Rack sounds and feels just like plugging into a real amp or effect.

- Using convolution processing, they captured the exact sound of the cabinets and mics used to create the tone of a mic'd combo -- instead of using EQ filters to "fake" this sound the way other amp modeling solutions have done.

- Digidesign enlisted guitar recording expert John Cuniberti (Platinum and Gold recording engineer/producer and inventor of the Reamp(R) box) to ensure the mic'ing techniques used during development were absolutely top notch.

- They also emulated an assortment of vintage and classic effects processors -- from must-have stompbox effects to high-end studio processors culled from our coveted Pro Tools|HD(R) TDM plug-ins used in pro studios around the world.

Amps/FX
Digidesign went to great lengths to obtain the world's most sought-after amps and effects -- in their original state -- to create the sounds in Eleven Rack. Here are all of the vintage and modern amplifiers and effects boxes that Eleven Rack emulates along with a bit of their history, where you may have heard their signature tones, and how our emulations compare to the originals.

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Pro Tools's Big Love: Digidesign Command 8 Control Surface for Pro Tools



The Digidesign Command 8 control surface puts full control of Pro Tools TDM or LE at your fingertips more affordably than ever before - for both Windows XP and Mac OS X. While there are several compact control surface options from third-party manufacturers compatible with Pro Tools, only Command 8 was made by Digidesign and Focusrite specifically for Pro Tools. As a result, Command 8 provides a great deal more sophisticated control with Pro Tools software, and has been tested and qualified specifically for Pro Tools.

Borrowing elements from Digidesign's higher-end control surfaces, Command 8's eight bankable channels of moving faders, rotary encoders, and displays enable you to control Pro Tools with the hands-on feel of a traditional analog console. What's more, its onboard monitor system features Focusrite audio performance and quality, accommodating Pro Tools audio along with external inputs, speakers, and separately controlled headphone outs. Through a simple USB connection facilitates communication between Command 8 and your computer.

Command 8 also includes an integrated, fully editable MIDI interface and features a stand-alone MIDI controller mode, allowing you to use it with your favorite third-party MIDI applications and devices - any that accept MIDI control change messages for level, panning, solo, mute, MIDI Machine Control, and other mappable parameters.

For post production suites, Avid products are natively supported by Command 8, including Avid Media Composer. When used with Avid products, Command 8 can be used to control the Automation Gain Tool for recording dynamic volume automation as well as Solo, Mute and Snap Mode on and off. Better yet, Command 8's onboard monitor section alleviates the need for an external mixer for speaker control.

Features:

Inexpensive, full-featured control surface specifically designed for Pro Tools

Supports both Pro Tools TDM and LE systems (independently)

Simple USB connection to your PC or Mac

Compact size; comfortable ergonomic layout

8 touch sensitive motorized faders, 8 automatable rotary encoders with LED rings

Big, bright, 110-character (55 characters x 2 rows) backlit LCD display for easily viewing information

Integrated 1-IN/2-OUT MIDI interface (16 channel in, 32 out)

Standalone MIDI controller mode

Flexible Focusrite onboard monitoring section

Works natively with the Avid family of products. Automation Gain Tool

May be used in conjunction with ProControl, Control 24, and Digi 002

Same Day Music is an authorized dealer of Digidesign products.



Dynamic Range: 102dB (unweighted, 105 dB or better A-weighted)

THD+N: better than 0.0015%

Frequency response: 20Hz to 20kHz, +/- 0.2dB

Maximum input level: +22dBu balanced (matches max. output level of 888 24s or 192 I/Os, +4dBu nominal; -18 dBFs reference level)

Dimensions (HxWxD): 4.75 x 16.375 x 17.125 in. (12.07 x 41.6 x 43.5 cm.)

Weight: 11.3 lbs / 5.13 kg

110-character LCD Display: Displays track names, track & plug-in parameter values, timecode, etc.

Channel View Controls:
Plug-in or Pan/Send controls for a selected INSERT or SEND
Buttons: EQ, DYNAMICS, INSERT, PAN/SEND/PRE, PAGE, Master Bypass, ESC

Console View Controls:
Controls status display of pans, sends, or inserts across all channels simultaneously
Defaults to channel pan position; select A-E to determine which SEND or INSERT values are displayed in the scribble strip

Modifier Keys: Correspond to their computer keyboard counterparts

Fader Section:
100 mm touch-sensitive moving faders with support for +12 dB fader scale
SELECT, SOLO and MUTE buttons and color-coded LED indicators
Multi-purpose rotary encoders with 11-LED rings displaying pan position, send level, etc.
Five-segment LED meters (0 to +42 dBFS)

Control Room and Headphone Controls:
Control Room: Mute, Mono, and External Source monitor selectors; dedicated volume level control
Headphones: 1/4 in. stereo headphone jack; dedicated volume level control

Miscellaneous Controls and Indicators:
Record-enable, Pan/Meter (with L/R indicators), Enter, and Undo selectors
Standalone button - Places Command 8 into stand-alone controller mode
USB and MIDI activity indicators

Master Fader/Flip Controls:
Master Fader: Activate to move master fader control to the rightmost faders
Flip: Activate to move PAN/SEND or INSERT control from rotary encoders to faders

Navigation Keys: Four-key navigation pad enables you to BANK through software mixer eight faders at a time, NUDGE through mixer one channel at a time, or ZOOM in or out on track data horizontally or vertically, and move the play selector horizontally and vertically

Specialized Function Controls: Including Utility,Midi Edit (for MIDI mapping), PRE/Midi recall (recalls MIDI controller sets, MIDI maps, or Digidesign PRE parameter values), Fader Mute, and plug-in Focus

General Controls: Select Pro Tools interface window (Plug-in, Mix, or Edit), Loop Play, Loop Record, Quick Punch, and Memory Location

Transport Controls: Control common transport functions within Pro Tools (Play, Record, Stop, etc.)

Interfaces:
1-IN/2-OUT MIDI interface
USB connector
1/4" Punch In connector

Outputs: Speaker outputs - 1/4" TRS (balanced/unbalanced) connectors with +4 / +10 push button

Monitor Inputs: Main and External Source stereo inputs - 1/4" TRS (balanced/unbalanced) connectors with +4 / +10 push button per pair

Power:
Power cable connector
Power switch

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