Audio-Technica's newscaster-style omnidirectional ATR3350 lavalier is designed for intelligible, accurate voice reproduction. This high-quality condenser is ideal for video use, and is a perfect choice for aerobics/dance/sports instructors. Its low-profile design assures minimum visibility.

The Audio Technica ATR-3350 Lavalier Omnidirectional Condenser Microphone appears to be a nearly identical replacement lavalier mic from the recently discontinued Audio-Technica ATR-35S Lavalier Microphone.

Great for Video Use
This newscaster-style miniature mic is perfect for video use, or any other application where minimum visibility and a low profile are desired.

This also makes it an ideal choice for aerobics/dance/sports instructors.

Omni Polar Pattern
The lavalier features an Omni pickup pattern, for full, 360-degree coverage. Clip it on and go, without worrying to much about where it's pointing.

Works With Most Cameras
An integrated 6-meter (20-foot) cable with 3.5 mm mini-plug connects directly to most cameras.




Specifications

Element: Condenser

Polar Pattern: Omnidirectional

Frequency Response: 50 - 18,000 Hz

Open Circuit Sensitivity: -54 dB

Impedance: 1,000 ohms

Weight: 6 g (0.2 oz)

Cable: 6 m (20 ft) terminated with 3.5 mm (1/8 in.) mini-plug

Accessories Furnished; Tie clip; battery; foam windscreen; 6.3 mm (1/4 in.) adapter

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The M-Audio® Axiom® 25 mobile controller combines all the production power and performance you need to get the most from your music software and MIDI gear. More than just a “data entry” controller, the Axiom 25 features piano-style, semi-weighted keys for a musically satisfying playing experience—yet it’s small enough to fit in your backpack. Large dynamic trigger pads make it simple to program beats and trigger one-shot samples—while the encoder knobs and buttons deliver complete real-time control over your software. DirectLink mode provides easy, automatic access to common DAW functions* including transport, mixer, track pan, and virtual instrument parameters—no complicated setup required. The Axiom 25 controller even features a sleek, angled top panel for easy viewing in any environment.

"the semi-weighted keys are a nice touch which allow for more expressive playing"

Features
- 25 piano-style, semi-weighted keys
- 8 smooth rotary encoders and 1 mixer-style fader
- Angled top panel and backlit LCD screen
- DirectLink mode
- Axiom Instrument Maps

DirectLink: Streamlined Session Control

Building on the best-selling MIDI keyboard controllers of all time**, the updated Axiom series features DirectLink, which automatically maps the onboard controls to common parameters in DAWs* like Pro Tools®, Logic, Cubase, Live, and Reason. Take control over your software studio—directly from the keyboard. Use the fader and encoder knobs to fine-tune the mix. Easily navigate through sessions using the Transport buttons. Interfacing a MIDI controller with your software doesn’t get any easier than this.

Serious Production Power

When inspiration strikes, you need a keyboard controller that can translate ideas into killer tracks. That’s why Axiom 25 is equipped with an ultra-expressive semi-weighted keyboard and eight Trigger Finger® pads for programming beats with incredible feel. Automatically map Axiom 25 to your DAW with DirectLink—or delve deeper by assigning the pads, encoders, and fader to whatever controls you wish. Each controller can map to just about any MIDI message available, along with independent channel addressing for each. The possibilities are as endless as your imagination.

Axiom Instrument Mode

With other MIDI keyboards, assigning controls to virtual instruments has never been easy. Now thanks to the Axiom 25 controller’s new Instrument mode, a single button instantly maps the fader, buttons, and encoders to any virtual instrument inside your DirectLink-compatible host*. You get direct access to synthesis parameters such as filter cutoff, LFO rate, and envelope settings—without having to manually configure anything. It’s almost like turning Axiom 25 into a dedicated hardware synth.

Intuitive Design

Whether you’re on stage or in the studio, your keyboard controller should fuel your creativity—providing all the right information and controls at your fingertips. That’s why we designed Axiom 25 with a sleek angled top panel for easier viewing of the display and improved ergonomics. Smooth rotary encoders deliver precise, continuously variable parameter changes, giving you a hands-on feel for the mix. The backlit LCD screen provides informative feedback from DAW hosts, including on-screen display of parameters, settings, and track/VI names. It all adds up to intuitive control over your MIDI software and hardware.
Mobile Operation The Axiom series is extremely compact and lightweight and all models are powered directly from your computer’s USB bus. Choose the size that’s best for your needs, then take your music anywhere you want to go.

click the picture to purchase!



Full Features:
25-key velocity-sensitive semi-weighted-action keyboard with assignable aftertouch
DirectLink mode automatically maps controls to common DAW and virtual instrument parameters*
dedicated Instrument mode button lets you instantly switch between controlling mixer and virtual instrument parameters*
intuitive custom LCD display, centered on keyboard for optimum visibility
angled top panel for easy viewing in any environment
4 zone buttons for stacking and splitting sounds on up to 4 MIDI channels
8 assignable trigger pads
8 assignable rotary encoder knobs
1 assignable fader
6 dedicated transport controls
6 edit buttons
dedicated track up/down, bank , mute, and solo buttons
dedicated patch +/– buttons
assignable pitch bend and modulation wheels
octave up/down; transpose up/down
factory presets map controls to popular music software:

Xpand!®2
Hybrid™
Velvet®
Strike®
Oddity
ImpOSCar
Minimonsta

20 non-volatile memory locations
memory dump via SysEx
4 keybed velocity curves and 3 fixed velocity settings
4 pad velocity curves, 3 fixed settings, and unique ‘step’ velocity curves
2 assignable pedal inputs
class-compliant with Windows XP, Windows Vista, Windows 7, and Mac OS X
powered via USB or optional power supply
built-in USB MIDI interface including standard MIDI In and Out jacks
all controllers fully programmable to MIDI controller number and channel
Controller Mute function mutes controller output to avoid parameter jumps
Snapshot function transmits all current controller settings
on/off rocker switch

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AmpliTube iRig is a combination of an easy-to-use instrument interface adapter and guitar and bass tone software for your favorite Apple mobile peripheral. With AmpliTube iRig, you can connect your guitar into your iPhone/iPod Touch/iPad and jam anywhere with top-notch guitar and bass tone right in the palm of your hand. The iRig is the perfect companion not only to the mobile AmpliTube app, but also works with any other recording, processing or tuning app. Plus, you can also use the iRig with line level signal sources such as synthesizers, keyboards or mixers.

AmpliTube for iPhone At the core of the AmpliTube iRig System is AmpliTube—a leader in gear modeling software for professional recording studios. AmpliTube for iPhone gives you the same incredible ultra-realistic sound and modeling accuracy of its Mac/PC applications in a convenient mobile platform app. With AmpliTube for iPhone, you’ll have an entire guitar/bass rig at your fingertips, comprised of 3 recombinable simultaneous stompbox effects, an amp-head plus cabinet and a microphone. With AmpliTube for iPhone fully loaded, you will be able to choose between 5 amps (clean, crunch, lead, metal, bass) with full controls, 10 stompbox effects (delay, flanger, phaser, overdrive, distortion, filter, wah, fuzz, octaver, chorus), 5 cabinets and 2 microphones (dynamic and condenser). Plus, AmpliTube for iPhone features a chromatic digital tuner and a metronome. You can also import and play with songs or backing tracks with realtime effects; and create, save and recall up to 36 presets on the fly!

Features
- Works on iPhone/iPod touch/iPad

- 1/4-inch female mono input jack connector

- 1/8-inch female stereo output mini-jack connector

- Connect electric guitar and bass

- Also works with line level signals from synthesizers, keyboards, mixers

- Output can be connected to headphones, amplifiers, powered speakers, mixers

Complete Interface and Software Solution
AmpliTube iRig is a combination of an easy-to-use instrument interface adapter and guitar and bass tone mobile software.

With AmpliTube iRig, you can plug your guitar into your iPhone/iPod touch/iPad and jam anywhere with world class guitar and bass tone right in the palm of your hand - from the leader in studio-class guitar and bass software.

Simply plug the iRig interface into your mobile device, plug your instrument into the appropriate input jack, plug in your headphones, amp or powered speakers, download AmpliTube for iPhone Free and start rocking!

You'll have at your fingertips the sound and control of 3 recombinable simultaneous stompbox effects + amplifier + cabinet + microphone just like a traditional guitar or bass stage rig!

Add amps and effects as you need them -- you can expand your rig with up to 11 stomps, 5 amps, 5 cabinets and 2 microphones in the AmpliTube iRig app custom shop.



Compatible Devices
iRig and AmpliTube for iPhone are compatible with iPod touch (2nd and 3rd generation), iPhone 3G, iPhone 3GS, iPhone 4 and iPad. They all require iPhone OS 3.1.3 or later.

AmpliTube iRig is not recommended for use with 1st generation iPhone models.
The iRig adapter does not support 1st generation iPod touch models, due to their lack of a mic input.

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Designed with many of the same features found in professional studios, Alpha Studio is a bus-powered 2x2x2 USB I/O Mixer packaged as a complete recording solution with Cubase LE and the Lexicon Pantheon VST Reverb plug-in. The Alpha Studio features one XLR microphone input, two TRS line inputs, and two TRS & RCA line outs. Alpha's front panel features an ultra high-z 1/4-inch instrument input for direct to computer recording and a 1/8-inch high powered headphone output for use with professional or consumer headphones.Record anywhere you can carry your laptop! Studio quality hardware and powerful software that turns your PC or Mac into a 24-bit recording studio.

Features

4 Inputs: Record Up to 2 Tracks at Once
Stereo line inputs for keyboards, drum machines or analog output of a CD/MP3 player. RF-filtered TRS active-balanced inputs accept either balanced or unbalanced signals

Low-noise mic preamp with balanced XLR inputs

High-impedance front panel input for electric guitar or bass

Professional Mixer
Separate mic and line level input controls with individual peak indicators

Monitor mix control for balancing an audio source between live input and playback mix level while recording. Can be switched to stereo or mono

High-powered headphone amp offers ultra-clear fidelity while delivering ample power for any type of headphones

RF-filtered and TRS balanced Line outputs for speaker monitoring

USB Powered
Connect to your computer with the included USB cable. No need for a power supply'so you can record anywhere you can take your laptop



Technical Description

Microphone Inputs: (1) Female XLR Pin 2 Hot

Input Impedance: 600 ohms balanced

Phantom Power: No

GAIN: +50 dB

EIN: -115dB A-weighted @50dB gain (150 Ohm source impedance)

Maxium Input Level: +10dBu

Frequency Response: +0, 0.5 dB 20 Hz - 20 kHz, ref. 1 kHz

THD+N: <.005%, 20 Hz - 20 kHz

Line Inputs: (2) 1/4 in. TRS balanced or unbalanced

Input Impedance: 20 kOhm balanced, 10 kOhm unbalanced

Maximum Input Level: +12 dBu

Frequency Response: +0, 0.2 dB 20 Hz - 20 kHz, ref. 1KHz

THD+N: <.009% A/D, 20 Hz - 20 kHz

Instrument Input: (1) 1/4 in. mono jack

Input Impedance: 1 MOhm unbalanced

Maximum Input Level: +8.5 dBu

Frequency Response: +0, 1 dB 20 Hz - 20 kHz, ref. 1 kHz

THD+N: <.125% A/D

Crosstalk:
<-74dB any input or output to any recording channel, 20Hz - 20kHz <-95dB at 1kHz typical

Line Outputs: (2) 1/4 in. TRS bal./unbal. +(2) RCA

Level: +16dBu maximum (1/4 in. TRS)

Impedance: 1k ohm balanced, 500 ohm unbalanced

Headphone Output: (1) 1/8 in. stereo jack 20 mW per channel at 50 Ohms

D/A - A/D Sample Rate: 44.1 kHz or 48 kHz (determined by computer application)

Dynamic Range:
A/D (24 Bit) 100 dB typical, A-weighted, 20 Hz - 20 kHz
D/A (24 Bit) 100 dB typical, A-weighted, 20 Hz - 20 kHz
A/D/A (24 Bit) 97 dB typical, A-weighted, 20 Hz - 20 kHz

USB Type B Socket: Version 1.1, Version 1.1 hubs ar not supported

Power Requirements: USB Bus-Powered

Dimensions: 6.75 in. Wx 1.6 in. Hx 6.5 in. D

Weight: 1.1 lbs. (0.49kgs)

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Brand new ROLAND SP-404SX SAMPLER with DSP effects offers enhanced sound quality with pure 16-bit linear sampling, improved DSP effects, smooth FX switching, a more versatile pattern sequencer (with a new shuffle feature), and easier data management with SD-card compatibility.

Features: 12 large pads, three control knobs, jumbo display, same friendly operation as SP-303 Enhanced sound quality is even better than the SP-404 16 bit linear sampling Improved DSP effects processor Extra smooth FX switching Supports shuffle feature Easy data management SD Card compatible! 29 effects, including new Subsonic, BPM Looper, and more Built-in microphone for quick sampling 3 control knobs, 12 trigger pads, and sub-pad Pattern sequencer CD-quality sound Expanded sampling time 12-voice polyphony Realtime loop recording Sample-editing tools Import/export WAV/AIF via CompactFlash card slot; supports up to 1GB card Runs on battery or AC power Two Sampling Modes Includes free 1 GB SD Card! Expandable storage up to 32 GB You can import your audio files and assign samples to pads with the included software compatible with MAC or PC



- Sample anytime, anywhere with the built-in mic and battery power

- 29 DSP effects, including filter, delay, unique voice effects, subsonic, and looper

- 3 control knobs, 12 trigger pads, and Sub Pad for rapid repeat triggering

- Seamless effects switching for smooth, perfect performance

- Pattern sequencer with quantize mode and new shuffle feels

- 1GB SD card included; expand sample storage up to 32GB with SDHC

- Import audio files from computer, assign samples to pads with bundled software (Mac/PC)

Instant Sampling
Sample anywhere, anytime using the SP-404SX's built-in microphone. And since the SP-404SX can run on AC or battery power (six AA batteries), it's easy to record wherever and whenever inspiration strikes. Just power-up, point, and record. Line and mic inputs are also available for recording direct or with an external microphone. The SP-404SX's sampling format is uncompressed wave for high-quality audio capture.

Hands-On Performance
The SP-404SX is made to be played -- it's packed with interactive controls for jamming along with loops and patterns. Put your fingers on the three non-slip control knobs, 12 trigger pads, and Sub Pad for rapid repeat triggering in real time. On dark stages or DJ booths, the SP-404SX is a performers dream with its illuminated rubber pads and bright LED screen.

Extreme Effects
Create a signature sound using the SP-404SX's 29 DSP effects, which switch seamlessly during live performance. Essential onboard effects include spacious reverbs and choruses, plus filters and delays. There are also unique, esoteric effects built in, including a voice transformer and looper. With the DJFX Looper, you can create short loops (such as machine-gun-like "da-da-da-da-da" sounds) and control reverse-playback with the knob. You can also create scratch effects like a turntable. Connect the SP-404SX to a DJ mixer and use it as an effect processor. Seventeen of the effects have a "limiter" mode, which keeps the effects from overloading. This is great for live DJ performance when you don't want to lose control of the effects in the heat of the moment.

Trackbuilder
In addition to the endless supply of loops you can pack into the SP-404SX, you can also create your own tracks in real time with the Pattern Sequencer, complete with quantize mode, which includes shuffle feels. Creating patterns is done in real time. You can loop two measures (maximum 99 measures), for example, then play and record only the bass drum and the snare. Next, add the hi-hat over the top, and keep adding more instruments while the SP-404SX loops. You can store 120 patterns (12 patterns x 10 banks). When you play a pattern with the Pattern Sequencer, the LEDs surrounding the display blink according to the tempo, which is handy during live performance.

SD Card Memory
Start sampling right away with the included 1GB SD card. You can easily expand the sampling time using up to 32GB SDHC. Import audio files from your computer using the included software (Mac/PC) and assign them to the SP-404SX's pads. WAV and AIFF files are accepted. The software is fast and easy to use, as it displays the SP-404SX's pads onscreen. You can even use it to convert SP-404 format files to the SP-404SX.

Power Supply: AC Adapter (Included) or 6 Ni-MH AA SIZE Rechargeable Battery (Not Included) or 6 Alkaline AA size Dry Battery (Not Included)

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Over the years, Studiophile reference monitors have earned a great reputation with recording professionals around the world. The new Studiophile BX8a Deluxe system builds on this legacy with new waveguides and enhanced driver integration for greater high-frequency clarity and refined sound. The BX8a updates our critically acclaimed BX8 near-fields. Topping the improvements list are our 8 curved Kevlar low-frequency drivers--a technology usually reserved for monitors bearing a higher price tag. Of course, they're coupled with our time-proven high-temperature voice coils and damped rubber surrounds for durability and fidelity. Magnetically shielded 1 natural silk domes give the BX8s a high-end that's both clear and easy on the ears. Custom-tuned crossovers distribute 130 Watts of bi-amplified power for optimal frequency handling by each driver. Hear for yourself why Studiophiles have become standard issue reference monitors.

Features

Exceptional driver integration - well-balanced sound with superior detail

1-1/4 inch waveguide-loaded high-frequency drivers - excellent clarity

8-inch Kevlar low-frequency drivers - high resilience and durability

130 watts of bi-amplified power with crossover - dedicated reproduction of high and low frequencies

Magnetic shielding - electronic equipment coexists without interference

Deluxe edition
The Studiophile BX8a Deluxe monitors update the best-selling M-Audio BX8a system with a variety of enhancements. The new waveguide delivers a cleaner sound. Custom amplifier tuning enhances the integration between the high and low frequencies, delivering refined spectral balance and a smoother response. An elegant new industrial design completes the package.

Kevlar low-frequency drivers
To insure a lifetime of service, M Audio constructed the BX8a monitor's 8 inch low-frequency driver from woven Kevlar. Kevlar's high mechanical and thermal resilience makes it ideal for use in speaker cones. M Audio engineers also created a curved conical design that improves room dispersion. High-damping reliable rubber surrounds provide percussive musical bass, and insure that the cone reaches its optimal excursion for accurate reproduction. And their high-temperature voice coils reduce power compression, guaranteeing that your monitors will deliver full performance hour after hour.

Silk-dome, waveguide-loaded, high-frequency drivers
M Audio's high-frequency domes are made from natural silk to counter the high Q ringing that is inherent in the poorly crafted metallic materials often found in other monitors. In addition, their new waveguides refine the high-frequency response. M Audio's FerroFlow technology uses ferrofluid liquid cooling to dissipate heat for maximum efficiency and extended usage.

Bi-amplified efficiency
Active monitors have a distinct advantage over unpowered monitors because the built-in power amps are specially designed to work with the drivers and crossovers in a tuned system. Bi-amplification further refines the concept by dedicating separate power amps to the highs and lows. Combined with a finely tuned crossover, this design insures that both the high- and low-frequency drivers are asked to deliver only the frequencies they are most efficient at reproducing.

Rear-ported cabinet design
The Studiophile BX8a Deluxe monitor's cabinet is integrally designed with its other components for optimal performance-right down to rounded corners for reduced edge diffraction and superior imaging. Custom rear-port design audibly reduces the turbulence and resulting distortion caused by poorly designed ports.

Magnetic shielding
Unchecked, the electromagnetic waves emanating from your speakers can wreak havoc with your computer's video monitor or a nearby TV. The BX8a Deluxe is magnetically shielded so that all of your electronic equipment can coexist without interference.

Technical Description

Crossover frequency: 2.2kHz

Low-frequency amplifier power: 70 watts

High-frequency amplifier power: 60 watts

Maximum signal-to-noise (dynamic range): > 100dB (typical A-weighted)

Polarity: positive signal at + input produce outward LF cone displacement

Input impedance: 20k ohms balanced,10k ohms unbalanced

Input sensitivity: 85 mV pink noise input produces 90dBA output SPL at one meter with volume control at maximum

Power: factory programmed for either 115V ~50/60Hz or 230V ~50/60Hz

Protection: RF interference, output current limiting, over temperature, turn-on/off transient, subsonic filter, external mains fuse

Cabinet: vinyl-laminated MDF

Size: 12 x 10 x 15 inches, (30.48 x 25.4 x 38.1 cm)

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Digidesign's Eleven Rack is a revolutionary guitar recording system designed to solve the challenges guitarists face in the studio and on stage. Eleven Rack uses a unique tone cloning design and one-of-a-kind, custom-designed True-Z input to re-create the experience of playing through a full guitar rig. By combining studio-Standard Pro Tools software with a DSP-accelerated high-resolution interface, Eleven Rack puts professional recording into the hands of every guitar player. Whether you're tracking in the studio or playing on stage, this rackmountable multi-effects processor delivers fresh, mind-blowing, hyper-realistic guitar amp and effects tones that will inspire your best performances.

Eleven Rack in the Studio
Eleven Rack combines studio-standard Pro Tools software with a high-resolution, dual DSP-powered audio interface so you'll never have to worry about latency when recording with its built-in amp/effects tones -- nor will your computer have to carry the processing burden. Eleven Rack also takes re-amping to the next level by recording both dry and processed guitar signals simultaneously, allowing you to re-amplify later without patching a single cable. We even found a way to embed the Eleven Rack amp and effects settings into the audio tracks you record, enabling you to automatically recall those settings from your audio files on any Pro Tools system with Eleven Rack.

Eleven Rack On Stage
Eleven Rack also rocks onstage as a standalone amp tone and effects signal processor -- we pulled out all the stops to make sure it sounds and feels just like playing through the real deal. We also included a classic collection of effects, from must-have stompboxes to world-class rackmount studio processors. Eleven Rack has all the I/O flexibility you need to integrate it into your existing rig, and easily incorporate the tones you've recorded with into your live setup -- closing the gap between studio and stage. Eleven Rack also offers incredibly powerful control options using affordable MIDI controllers and expression pedals, giving you full foot control over everything from vintage wah effects to tempo-driven delays and more.

Eleven Rack combines hyper-realistic guitar amp and effects tones with a dual-DSP-powered interface and studio-standard Pro Tools LE(R) software to create the ultimate recording solution for guitar players.

Introducing True-Z
Among guitar tonehounds, it's a well-known fact that input impedance -- the electronic resistance found in the input circuit of the amp or effect you're plugged in to -- has a huge impact on your guitar tone. We realized that re-creating this electronic relationship was critical in nailing the sound and feel of our emulations. Others have tried to fake this with signal processing but we weren't satisfied with a one-size-fits-all-approach. Each guitar reacts uniquely with each amp or effect -- so we had to come up with a true analog solution that allows your guitar to interact realistically with our amp and effect re-creations.

That's why we developed True-Z -- a unique analog input circuit that replicates the input impedance of classic stompbox pedals and guitar amps, resulting in amazingly realistic sounds. It's almost as if the True-Z input on Eleven Rack morphs into the 1/4" input jack of whatever classic stompbox or amplifier you are using. When you plug into Eleven Rack, you get the same response -- and same great tone -- as when plugging in to a vintage stompbox or guitar amp. You can also manually control the impedance of the True-Z input and set it to a value that suits your playing best.



Eleven Rack Hardware
- Unique True-Z auto-impedance matching guitar input

- Incredible emulations of classic guitar amp tones inspired by Fender(R), Vox(R), Marshall(R), Soldano, and Mesa/Boogie(R) amps*

- Refined collection of sought-after classic stompbox tones inspired by effects from MXR(R), Electro-Harmonix(R), Ibanez(R), ProCo, Univox(R), and more*

- Powerful collection of studio-quality rackmount effects processors

- Convolution-based cabinet emulations deliver unprecedented realism in cabinet tones

- Convolution-based microphone emulations inspired by classic dynamic, condenser, and ribbon mic designs

- Integrated FX loop switchable to incorporate existing mono or stereo rack and stompbox effects

- Controllable via MIDI controllers and expression pedals

- Built-in tuner

- Tap-tempo control of time-based effects

- High-speed USB 2.0 connection

- Supports up to 8 simultaneous channels of high-resolution recording up to 24-bit/96 kHz

- Stereo balanced XLR outputs and dedicated 1/4 in. outputs

- XLR mic input with 48V phantom power and pad switch

- 2 x 1/4 in. line-level inputs

- AES/EBU and S/PDIF digital I/O

- Stereo 1/4 in. headphone jack

- 1 x 1 MIDI I/O

* Eleven Rack is not connected with, or approved or endorsed by, the owners of Electro-Harmonix(R), Fender(R), Ibanez(R), Marshall(R), Mesa/Boogie(R), MXR(R), ProCo, Soldano, Univox(R), and Vox(R) names. These names are used solely to identify the guitar amplifiers and effects emulated by Eleven Rack.

Tone
Up until now, amp modeling solutions haven't really delivered the full depth, dimension, and response of a mic'd up rig. Digidesign decided to take this challenge head on to ensure Eleven Rack truly re-creates the experience of playing through the most coveted guitar amps in the world. Check it out:

- Digidesign spent years scouting a connoisseur's collection of vintage and modern amps and cabinets, paying special attention to choosing amps that represented the best of their generation and remained unmodified from their original design. We then painstakingly inspected every component, took detailed measurements, and captured every stage of the signal path -- point to point.

- Digidesign incorporated nuances like power amp sag, ghost notes, and cabinet resonance that other amp modeling developers overlooked, giving our clones the truly multi-dimensional tone and hyper-realistic response previously only achievable by mic'ing a real amp.

- Digidesign set out to invent an input circuit that re-creates the electronic relationship between your guitar and an actual amp or effect. This can't be done digitally -- so we developed a unique True-Z direct input that automatically adjusts the input impedance to match that of the particular amp/effects rig signal chain. Thanks to the True-Z input, plugging into Eleven Rack sounds and feels just like plugging into a real amp or effect.

- Using convolution processing, they captured the exact sound of the cabinets and mics used to create the tone of a mic'd combo -- instead of using EQ filters to "fake" this sound the way other amp modeling solutions have done.

- Digidesign enlisted guitar recording expert John Cuniberti (Platinum and Gold recording engineer/producer and inventor of the Reamp(R) box) to ensure the mic'ing techniques used during development were absolutely top notch.

- They also emulated an assortment of vintage and classic effects processors -- from must-have stompbox effects to high-end studio processors culled from our coveted Pro Tools|HD(R) TDM plug-ins used in pro studios around the world.

Amps/FX
Digidesign went to great lengths to obtain the world's most sought-after amps and effects -- in their original state -- to create the sounds in Eleven Rack. Here are all of the vintage and modern amplifiers and effects boxes that Eleven Rack emulates along with a bit of their history, where you may have heard their signature tones, and how our emulations compare to the originals.

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Audio-Technica's Precision Studiophones deliver a flat, extended frequency response for mixing/monitoring. Superior components provide very high SPL capabilities while maintaining exceptional clarity of sound. Exterior design features include sturdy strain-relief cable and comfortable circumaural earpieces that can be rotated 180 degrees to permit one-ear monitoring. The studiophones utilize 40-millimeter drives with neodymium magnets and copper-clad aluminum wire voice coils for lowest mass. They are equipped with an 11-foot cable terminated in a standard 1/4-inch connector. This field-serviceable model allows elements, cables, and earpads to be replaced in the field if needed.





ATH-M40fs Features

* Flat, extended frequency response for mixing/monitoring
* Field-replaceable cables, drivers and ear pads
* 1,600 mW of power handling, high SPL capability
* 40 mm diameter drivers, neodymium magnets and CCAW voice coils
* OFC litz wire cables, convenient one-side exit
* Rotating earpieces for easy one-ear monitoring

ATH-M40fs Specifications

* Type: Closed-back dynamic
* Driver Diameter: 40 mm
* Magnet: Neodymium
* Voice Coil: Copper-clad aluminum wire
* Frequency Response: 5 - 28,000 Hz
* Maximum Input Power: 1,600 mW at 1 kHz
* Sensitivity: 100 dB
* Impedance: 60 ohms
* Weight: 8.8 oz (250 g) without cable
* Cable: 11-foot (3.4 m) (OFC litz wire, left-side exit)
* Connector: 1/4-inch (6.3 mm) phone plug

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Conectiv, designed by M-Audio's SynchroScience division, is the world's first bus-powered 4 x 4 USB audio interface built for DJs who perform and produce tracks with a laptop. Together, Conectiv and the included Torq software form the ultimate DJ tool--high-fidelity audio, all the right kinds of I/O (including dual phono preamps), and the ability to mix, beat-match and cue digital files with ease. Use them as a completely digital solution and leave the heavy stacks of vinyl or bulky wallets of CDs at home or process your vinyl and CDs on the fly. You can even create a hybrid digital/vinyl DJ rig by using Conectiv and Torq with specially encoded control vinyl discs or CDs. Torq supports popular formats such as MP3, WAV, WMA and AAC files and is configured to automatically work with Conectiv -- no messy set-ups. And unlike most digital DJ systems, Conectiv works with other third-party software as well.

SynchroScienceDesigned for Real-time Performance
M-Audio's new SynchroScience product development group is all about providing DJs with the tools they need -- as evidenced by the portable and powerful Conectiv interface. With 2 pairs of stereo inputs and outputs, easy USB connectivity and included Torq DJ software, Conectiv can turn any compatible Mac or PC into a powerful DJ rig. The 2 large knobs allow you to seamlessly mix between the incoming audio from a turntable or CD player with the output of a connected Mac or PC. Conectiv also includes standard DJ cueing capabilities, so you can listen to any track in your headphones before sending it out to the house system.

Download All Day, Party All Night
The included Torq DJ software is a dual-platform application that allows you to mix, beat-match and cue a variety of digital audio file formats, including MP3, AIFF, WAV, WMA and AAC. The first time you boot up the software, it automatically configures itself to work with Conectiv. Furthermore, the software itself can be controlled via mouse, keyboard, MIDI controller or control vinyl/CDs. And unlike traditional DJ set-ups where you're forced to carry around heavy crates of records or CDs, Torq organizes all of your digital files into a quickly searchable database on a compact, convenient hard disk -- it can even interface directly with your iTunes library for truly effortless setup. And if that's not enough, Torq supports third-party VST effect plug-ins and includes both a dedicated 16-cell sampler and performance recorder.

The Ultimate DJ Effects Unit
For the DJ who chooses to work with vinyl or CDs, Conectiv can turn a laptop into the most versatile DJ effects unit ever conceived. By routing the output of a connected turntable or CD player into a program like Torq or Ableton Live, you can process your tracks with tons of plug-in effects. Imagine the possibilities of stacking multiple distortion, EQ, reverb, chorus or bit reduction effects and using the knobs on Conectiv to blend the dry and processed signals. And by using industry-standard CoreAudio and ASIO drivers, Conectiv delivers low-latency operation on both Mac and PC.

Go Hybrid
Are you eager to embrace the world of computer-based DJing, but not ready to give up the feel of your favorite turntable or CD player? Not a problem. Simply break out a pair of control vinyl discs or CDs, and spin digital files loaded in Torq using a traditional DJ setup. And unlike most'more expensive'digital vinyl systems, Conectiv is also compatible with other third-party DJ and DAW applications -- you can even use it as an audio interface for Pro Tools M-Powered.

Crank It All the Way
While laptop systems have long offered conveniences like portability, unique effects, world-class editing options and instant access to downloadable music, many of these devices don't deliver the same output volume as traditional DJ products. Conectiv changes all of that. With a maximum output level of +2dBV, Conectiv gives you more volume than you need and can go to toe-to-toe with any DJ product on the market.

Top-Quality Recording
M-Audio interfaces are known for their recording quality and Conectiv is no exception. With switchable RCA phono/line level inputs and 1/4 mic input, you can easily record a wide variety of sources with most DAW software titles, including Pro Tools M-Powered, Ableton Live, Logic, Cubase, Digital Performer and more.



Features:
4 x 4 USB 1.1 audio interface with 16-bit/48kHz fidelity

4 RCA inputs configurable for line-level or phono signals

4 RCA line outputs with + 10dBV peak output level

2 mix knobs for blending between the audio input and computer output

1/4 in. TRS headphone output with volume control

crossfadable cue source with headphone split function

1/4 in. TS microphone input (dynamic mics only)

USB bus-powered

Torq DJ software included for Mac and PC

Torq supports popular formats such as MP3, AIFF, WAV, WMA and AAC

Core Audio and ASIO compatible


Technical Description

Compatibility
ASIO
Core Audio

Minimum System Requirements
PC: For use with other software, check software's minimum system requirements, as they may be higher.

Mac: For use with other software, check software's minimum system requirements, as they may be higher.

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You can combine your creativity with the two elements, power and control, that can make uniqueness and the difference in your music production or in stage. The MM8 and MM6 Music Synthesizers create all the musical power and creative control you need - and a whole lot more. Taking their sounds from the highly popular pro-level MOTIF series instruments, the MM series have an enormous variety of dynamic, authentic voices to help you create and perform in virtually any style of music. These powerful instruments also give you total control over your sound, letting you dynamically change sonic textures as you play with real-time tweakable knobs. Also built-in are special Patterns that provide full instrumental backing - drums, bass and chords - to accompany your live performance and song creation.

Playability

The MM8 has 418 Voices and 22 Drum Kits on board, all based on the dynamic, realistic sounds of the advanced MOTIF series synthesizers. These exceptionally high-quality sounds range from authentic acoustic instruments to wild, unique and in-your-face synth Voices. An extra set of GM Voices is built into the instrument as well, giving you all you need to play back songs recorded in that popular format. With so many Voices to choose from, you might think it's difficult to select the ones you need. Not so. The convenient Category Search function lets you choose the type of instrument you want to play - organ, guitar, synth, lead, strings, whatever - then select the specific Voice. All your favorite sounds are right at your fingertips, ready to play when you are.

Comprehensive Control

The MM series is all about control. Take a look at some of the ways you can use it to power your performance and make your songs really stand out.

Arpeggiator Madness

Generate some excitement, and tap into even more inspiration while you play with the Arpeggio feature. This lets you automatically trigger repeating rhythmic phrases, riffs, broken chords and melodic patterns - and even change them harmonically by the notes or chords you play with your left hand. The MM8 comes with 213 different Arpeggio types built in, providing a variety of musically useful and exciting patterns to get the house jumping or to jump start your song writing. Bass arpeggios and Drum Voice rhythm loops are included as well for setting up dynamic riffs and beats to jam over.

Tweak Your Sound

Once you've called up a synth Voice, you can simply play it as a static sound by pressing the keys - or you can take it another level up, and tweak the sound while you play with the four control knobs. Make it sing and weep or make it scream and holler. Change the filter cutoff and resonance settings for real-time texture shifts, and tweak the EG attack and release to completely alter the dynamic feel of the Voice as you play.

Patterns for Jamming

Want some instant inspiration? The MM8 has a full set of Patterns that give you powerful rhythmic backing in a wide variety of music styles - including Hip Hop, Rap, R&B, Dance, Ambient, Pop, Rock, Jazz and even World styles. These Patterns are just what you need to get your music moving in the right direction. What's more, these Patterns are as close to the real thing as you can get. Patterns that stay solidly in the groove, but never sound mechanical. Drum loops with a truly human feel that dance and float around the beat, yet remain firmly in the pocket. Riffs and licks that get you inspired, make you move, and help you create some serious music.

Piano-like Expressiveness - Graded Hammer Keyboard

Drawing on its long experience (over 100 years!) in crafting fine acoustic pianos, Yamaha has equipped the MM8 with a remarkably expressive GHS (Graded Hammer Standard) keyboard. If you're a piano player, you'll notice and appreciate the difference as soon as you touch the keys - the instrument feels and responds like a grand piano! The GHS keys are weighted heavier on the lower notes and gradually become lighter as you play up the keyboard, giving you detailed expressive control over the sound.

Performance Memory

When you play live, you want to be able to make sound changes quickly - not just between songs, but right in the middle as well. The Performance Memory feature is the perfect tool for doing this, letting you seamlessly switch gears in the middle of a performance (or recording) and take things up a notch, or bring the dynamics down instantly. Each Performance can store combined settings for the Voices you want to use (including keyboard splits and layers), the Patterns you'll use for backing, and any other crucial settings you may need - then select them simply by pressing a single button. Up to 64 Performances (eight banks of eight each) can be saved to the instrument, and you can save even more to USB memory stick.

Song Creation and More

The MM8 is also an ideal tool for song writing and demo making. The powerful, authentic sounds of the MM series as well as its dynamic Patterns and Arpeggios ensure that your tracks sound completely professional. Up to five User Songs can be recorded to the instrument, and with the built-in rear panel USB terminal, you can store up to 400 Songs to a USB memory stick or thumb drive. In fact, the USB connection lets you store Pattern files, Performance settings and all other important data you've created, and then bring it to a computer for archiving and organizing. Songs can also be saved in the universal SMF (Standard MIDI File) format for use on any SMF-compatible device, including DAW software

In the Studio

At home or in the studio, the MM8 can serve as the center of your music production system. Most of today's music is being made on computers and the MM series fits right into any computer music system. Just connect the USB To Host terminal on the instrument to your computer with a standard USB cable, and you've got a compact, yet full-featured recording setup. And just to make sure you get a head start, we've included a free copy of Cubase AI 4 - a sophisticated music production software that has all you need to record your performance data from the MM8 via MIDI (and even use plug-in synthesizers in the software), edit the data, process the sounds with effects, arrange it in multiple tracks and perform final mixdown.

CUBASE AI 4 Software Included

The Cubase AI 4 software bundled with the MM series Music Synthesizer harnesses the power of the Steinberg Cubase 4 digital audio workstation to provide a set of advanced software tools that are easy to use while delivering extensive recording and production capabilities. In addition to advanced audio recording and editing, Cubase AI 4 offers a range of MIDI sequencing capabilities, an entire suite of VST effect plug-ins, and a HALionOne sample player featuring selected waves from the famed Yamaha MOTIF synthesizers.

The Yamaha Story

Yamaha has been serving the needs of the music community since they manufactured their first reed organs in the late 1800's. Since then, they have expanded their vision to encompass every facet of the music industry. Their holistic approach includes musical instruments, live sound and recording equipment, and music instructional materials.

As one of the few companies to produce both instruments and recording/sound reinforcement products, Yamaha Corporation is in a unique position to improve the overall quality of their line. Their technological advancements in engineering and design can be incorporated into their musical instruments for improved functionality. Similarly, they can ensure their live sound and recording gear is designed to take advantage of the enhanced functionality of their instruments.

High quality standards are apparent in every product Yamaha manufactures. Guitars, basses, drums, keyboards, effects, cables, monitors, digital workstations, mixers, control surfaces, PA speakers, headphones, and more all receive the same attention to detail, for years of trouble-free use.

Technical Details of the Yamaha MM8 Synthesizer

Tone Generator - AWM2

* Polyphony - 32 notes

* Multi Timbral Capacity - 16 parts

* Wave Memory - 70MB (when converted to 16-bit linear format)

* Preset Voices - 418 normal voices + 22 drum kits

* GM Voices - 128 normal voices + 1 drum kit

* Onboard Effects - Reverb x 25 types, Chorus x 30 types, Variation x 189 types

* Master Equalizer - 5 types



Sequencer

* Note Resolution - 96 ppq (parts per quarter note)

* Tempo - 11 - 280 BPM

* Recording type - Real time replace

* Tracks - 8 + 8 (Pattern track)

* Patterns - 168 patterns (x 4 sections)

* Preset Songs - 3

* User Songs - 5

* USB Songs - 400 maximum

* Arpeggio - Preset x 213 types



Controllers

* Pitch Bend Wheel - 1

* Modulation Wheel - 1

* Knobs - 4

* Data Dial - 1



Display

* Graphic LCD - 320 x 240 px (backlit)



I/O

* Main Output Connector - L/MONO, R (standard phone jack)

* Headphone Connector - 1 (standard stereo phone jack)

* Dynamics Connections - Foot Controller, Sustain

* MIDI Connections - In/Out, USB (To Host, To Device)

* Power - DC Inlet



Other

* Power Consumption - 12W

* Dimensions - 52.76(W) x 17.52(D) x 6.18(H) inches

* Weight - 34.3 pounds

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The Yamaha n8 Digital Mixing Studio is a mixing console with an analog-like mixing interface which boasts ease of operation for professional quality recording and mixdown. Connecting a computer to the mixer's IEEE 1394 port enables you to configure an ideal recording environment with seamless integration into Cubase 4. The n-series Digital Mixing Studios are elegantly optimized combinations of hardware and software that set up easily and let you get right down to making music with maximum quality and control, and with minimum interference from "technology."

The mixer can handle up to 8 channel inputs, mixing them to stereo outputs and the 16 in/out FireWire connection to record them in a DAW. Each monaural input jack features an XLR jack with a phantom power supply and a newly developed compressor that adopts Sweet Spot Morphing technology with various compressor presets. One input supports Hi-Z input for direct connection of an electric guitar or bass. All input channels feature a full 3-band (high/mid/low) equalizer and share a built-in digital reverb.

With Cubase AI 4 a special version of Cubase 4 is included in the package so that you are ready to plug in and record.

Inspiration can be unreliable, but when it strikes the Yamaha n-series Digital Mixing Studios let you capture it in all its creative glory.

Ease of operation
Analog-like mixing interface enables you to bring your sonic imagery into reality. The mixer can handle up to 12 channel inputs mixing them to stereo outputs. Each monaural input jack features an phone and XLR jack with a phantom power supply, which enables you to connect a wide range of instruments and devices, from condenser microphones to synthesizers and other line-level instruments. Input channel 4 supports Hi-Z input for direct connection of an electric guitar or bass.

Computer connection via a single IEEE 1394 cable
A single cable can do the trick. Connect a computer with an IEEE 1394 port to the n12 using an IEEE 1394 cable to transfer audio and MIDI signals between the mixer and Cubase or other DAW.

Link with Cubase
Install Cubase 4 (Cubase 4, Cubase Studio 4, or Cubase AI 4) on the computer, and the n8 will link to Cubase and operate together seamlessly. For example, you can record the n12 input signals to Cubase as is, or mix Cubase audio tracks on the n8. You can also turn on and off the monitor for the VST effects or control the transport section and tracks remotely from the n8.

High-quality sound
Based on the examination of existing head amp circuits, a new head amp circuit has been developed that provides higher quality and superior musical characteristics. The Pad switch turns each channel pad on and off. When it is turned on, the input signal is attenuated by 26 dB. Use the high pass filter to cut off frequencies below 80 Hz. With the Phase switch you can invert the phase of the channel's signal.

The Input Select switch determines whether the analogue input signal or the DAW signal (the output from Cubase or another DAW) will be routed to the channel. By this you can either mix the analogue signals coming from the physical inputs or the digital signals coming from the computer.

Newly developed compressor
The n8 includes a newly developed compressor that adopts Sweet Spot Morphing technology. The mixer provides various compressor presets that represent the condensation of extensive professional engineering experience. Your sound can be at pro level instantly with an easy operation. Use the Morph control to select from the different compressor settings (or morphed settings betwenn them) and the Drive control to determine the amount of compression.
Three-band EQ on each channel

Each input channel features a full 3-band (high/mid/low) equalizer, providing easy sound shaping to suit your preferences. The Mid band is semiparametric to offer you a more detailed control over the sound.

Digital reverb at your service
A built-in digital reverb can be shared by all input channels. If a computer is connected to the mixer, you can also apply digital reverberation to output from Cubase or another DAW, as well as to microphone and other instrumental sounds.

Use Aux Send 1 to route the channel's signal to the Aux bus. Use this control when you are sending a mix monitoring signal to the musicians.

The Pan control determines the stereo position of the monaural input channel. Stereo Input channels feature a Balance control which determines the volume balance between the left and right stereo channels. Odd channel signals are fed to the L bus, and even channel signals are fed to the R bus. For example, rotate the Balance control all the way to right to output only the even (right) channel signals.

Soloing an muting
The Solo switch turns the Solo function on and off. Turn this switch on, if you want to listen to certain channels without changing the mix contents or signal path.

Use the On switch to turn each channel on and off (muting). When the switch is turned off, the channel signal will be sent only to the AUX bus.
Fader controls

Each input channel features a 60mm fader volume control, each equipped with a input meter consisting of four LEDs.

Use the REC and the ST switches to route the channels signal either to the recording bus and/or the stereo bus.

With the Wet Switch you can determine if you want to hear the dry input signal from the analog input of the channel or the wet signal coming back from the computer, processed by VST effects or such.

Control Room monitoring function
The n8 features a monitoring function dedicated to the Control Room (Control Room Monitor function). You can connect one monitoring speaker set (stereo) to the mixer and select which source you want to monitor.

Use the Dimmer switch to temporarily lower the monitoring volume without readjusting the control room volume level - for instance if you want to have a conversation in the control room. The Mute switch mutes the control room monitors.

DAW remote control function
This section features switches to remotely control the basic functions of the DAW software connected to the n8. Transport controls, track select controls, controls to engage the recording status, and others.

The n8 supports two different modes of the way it works together with the connected DAW: In the Stereo Mix mode the n8 will monitor the Stereo Output from the DAW. The Hardware Mix mode enables you to mix the audio tracks from the DAW through the hardware of the n8.



Technical Desciption

Inputs
Monaural inputs channels 1 - 8: XLR/TRS jacks with Inserts and +48V Phantom Power; Channel 8 supports Hi-Z input (switchable)

Stereo inputs channels 9 - 12: Unbalanced Phone jacks/RCA jacks

2 Track In: RCA jacks

Outputs
Stereo out: TRS/RCA jacks L/R

Control Room out A/B/C: TRS jacks L/R

Aux out 1/2: TRS jacks

Other connectors
DAW I/O: 2x IEEE1394 (FireWire)

MIDI: IN, OUT

Footswitch: 1x

AC In: 1x

Accessories Included: Power Adaptor, Owner's Manual, CD-ROM (includes Cubase AI4 DAW software)

Cubase AI4 System Requirements

Windows
OS: Windows XP Professional / XP Home Edition and Vista

CPU: Intel Pentium 1.4 GHz or better

Available Memory: More than 512 MB

Hard Disk : Free disk space of 400 MB or more; high-speed hard disk

Audio Interface: Windows DirectX / ASIO compatible

Macintosh
OS: Mac OS X 10.4 or higher

CPU: Power Mac G4 1 GHz or Core Solo 1.5 GHz or better

Available Memory: More than 512 MB

Hard Disk: Free disk space of 400 MB or more; high-speed hard disk

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The AT2020 USB delivers studio-quality articulation and intelligibility with modern convenience. It plugs right into your computer's USB port, and functions seamlessly with your favorite recording software. Equipped with a USB digital output, the AT2020 USB is great for home studio recording, field recording, podcasting, and voiceover use.

Based on the renowned AT2020
The AT2020 USB is based on the design of Audio-Technica's critically acclaimed AT2020 cardioid condenser microphone. Like the AT2020, it features a low-mass diaphragm, custom-engineered for extended frequency response and superior transient response.

Digital-Ready
With low self-noise, the AT2020 USB is perfectly suited for sophisticated digital recording equipment. Audio-Technica's state-of-the-art design and manufacturing techniques ensure that the microphone complies with the company's renowned consistency and reliability standards.

Features

Side-address studio condenser with USB digital output (Windows and Mac compatible)

Crystal-clear, natural sound for podcasting, home studio recording, field recording, and voiceover use

Custom-engineered low-mass diaphragm provides extended frequency response and superior transient response

Cardioid polar pattern reduces pickup of sounds from the sides and rear, improving isolation of desired sound source

Low self-noise - perfectly suited for sophisticated digital recording equipment

Specification

Element: Fixed-Charge Back Plate, Permanently Polarized Condenser

Polar Pattern: Cardioid

Frequency Response: 20-16,000 Hz

Power Requirements: USB Power (5v Dc)

Weight: 13.2 Oz (374 G)

Dimensions: 6.38-inch (162.0 Mm) Long, 2.05-inch (52.0 Mm) Maximum Body Diameter

Output Connector: USB-Type

Accessories Furnished: Pivoting Stand Mount For 5/8-inch -27 Threaded Stands; 5/8-inch -27 To 3/8-inch -16 Threaded Adapter; Soft Protective Pouch; Tripod Desk Stand; 10 ft. (3.1 M) Usb Cable

Bit Depth: 16 Bit

Sample Rate: 44.1 Khz

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Yamaha Audiogram 3 is an excellent deal for satisfaction of your recording session. The ease of use makes Audiogram is very simple and minimalistic but offers low latency and high quality result. Packaged with digital audio workstation Steinberg's Cubase AI, VST Plugins, Midi capability, samples makes Audiogram really a great value.

Product Description
The Audiogram Series has been carefully designed to make setting up your computer-based recording environment an absolute breeze. Coming as a complete kit, the Audiogram6 and Audiogram3 each bundle together a hardware interface that adds audio inputs and outputs to your computer, software for recording and producing music, and a USB cable for connecting the audio interface.

As such, either package will instantly turn your computer into a powerful yet intuitive tool for recording and editing audio from virtually any microphone or audio input device. What's more, setup is as easy as installing the bundled music-production application, Cubase AI, on your computer and connecting the audio interface using the USB cable provided! You're then ready to connect instruments, microphones, CD players, MP3 players, and even old record or tape players for recording straight into Cubase AI.

Audiogram3
With a focus on simplicity and ease-of-use, the Audiogram3 delivers a compact audio interface complete with both a mono and stereo input channel. Providing maximum flexibility for recording from almost any audio source, the mono input channel features a combo-type connector that can be set for microphone or line level input, while the stereo channel has both phone and RCA connectors. Of course, as this interface is USB bus-powered, it needs no external power supply and is an ideal solution for mobile applications.

High-Quality Microphone Preamp
Also supporting microphone-level input, the Audiogram3 mono channel features a microphone preamp offering excellent audio quality. And should you want to connect a condenser microphone for higher-quality recordings, this channel can even be phantom powered. Regardless of what type of microphone you choose, however, the professional mixer technologies integrated into this preamp will deliver perfect recordings every time.

Direct Connection Of Electric Guitars And Basses
With one touch of the MIC/INST select button, you can set the sensitivity of the Audiogram3 mono channel for direct connection of either microphones or instruments. When set to instrument-level sensitivity, for example, you can directly record electric guitars, basses, and many other input devices. And all audio recorded using either of the MIC/INST settings can then be processed to give professional-sounding results using CUBASE AI's built-in effects.

Stereo Channel For Practically All Sound Input Devices
With the Audiogram3, you also get a stereo input channel with both phone and RCA pin connectors that can be used to conveniently connect not only synthesizers, portable keyboards, and electronic pianos, but also a diversity of other sound sources such as CD players, MD players, portable audio players, and even old record and tape players. Providing maximum flexibility for many different recording situations, the Audiogram3 even supports simultaneous recording of the instrument or vocal on the mono channel with the audio being input via the stereo channel. For example, you could easily use this feature to record yourself playing along to a CD or MD backing track or singing to a karaoke track created on a portable keyboard.

Product Features
- 1 mic/Hi-Z input
- 1 stereo input
- Phantom 48V power
- USB bus powered
- Cubase AI included



System Requirements

Windows Vista:
- Computer: Windows-based computer with built-in USB interface
- OS: Windows Vista
- CPU: 1 GHz or better Intel Core / Pentium / Celeron processor
- Memory: More than 1 GB

Windows XP:
- Computer: Windows-based computer with built-in USB interface
- OS: Windows XP Professional / XP Home Edition
- CPU: 750 MHz or better Intel Core / Pentium / Celeron processor
- Memory: More than 128 MB

Macintosh:
- Computer: Macintosh computer with built-in USB interface
- OS: Mac OS X 10.3.3 or higher
- CPU: Intel CPU / Macintosh G3 processor 300 MHz or better
- Memory: More than 128 MB

Included: Cubase AI DVD, Owner's Manual, USB Cable

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Hear your music, movies and video games as good as they were meant to sound with the M-Audio Studiophile(TM) AV 20 multimedia speakers. Built with the same M-Audio technology that professional recording studios have trusted for years, the AV 20 system delivers an excellent audio upgrade for your computer. With internal amplification plus dedicated high- and low-frequency drivers, the AV 20 system lets you experience every detail of your sound. Custom cabinets with dense wood construction deliver a more accurate bass response than you could ever get from plastic multimedia speakers. And if you're the creative type, the Studiophile AV 20 speakers are great for crafting your next remix, recording original tracks or adding music to a home movie.

Features
Optimized for computer audio including music, DVDs and games

Acclaimed M-Audio technology used in pro recording studios

Separate high- and low-frequency drivers with crossover

High-fidelity 10-watt-per-channel internal amplification

Custom cabinet with dense wood construction for full, warm sound

Tight, accurate low-frequency response

Smooth, crisp highs

OptImage III wave guides for superior stereo imaging

Portable design

Magnetic shielding for desktop use



Audiophile Sound for Your Computer
M-Audio is known throughout the professional recording world for building some of the most accurate studio monitors on the market. With the Studiophile AV 20, you can enjoy this same technology in a portable, powered speaker that is the perfect addition to any home computer or laptop. Designed specifically for today's multimedia computers, the AV 20s feature a unique angled cabinet that creates an accurate listening environment even when you're short on desk space.

Dedicated Drivers and Professional Components
Comprising a 2" composite woofer, 1" ferrofluid-cooled Mylar dome tweeter and an internal Class D amplifier, the Studiophile AV 20 is designed to deliver solid bass, crisp highs and convincing realism while occupying only a fraction of the space of standard desktop speakers. And with sturdy, magnetically shielded cabinets, the AV 20s can coexist with all manner of computer monitors, TVs and other electronic equipment without interference.

OptImage III Technology
The Studiophile AV 20 features M-Audio's proprietary OptImage III wave guide, which improves high-frequency response while minimizing phasing issues that can plague other portable monitors. The wave guide evens out the response of the weeter by making it work more efficiently. It also time-aligns the tweeter and the woofer so the audio from each driver reaches the listener at the same time, guaranteeing precise stereo imaging and accurate response.

Pro to Go
If you're a music or media pro, don't let the size and price of the Studiophile AV 20 fool you. These speakers provides better sound than anything in their range. And their compact size makes them the perfect solution for the traveling musician, filmmaker or anyone who wants top-notch audio from their laptop on the go.

Specification

low-frequency Driver: 2" composite paper/fiberglass woofer

high-frequency Driver: 1" ferrofluid-cooled Mylar balanced-dome tweeter

stereo imaging: OptImage III wave guides for superior imaging

shielding: magnetic shielding

dynamic Power: 5W Class-D amplifier

input Connectors: RCA unbalanced inputs

indicator: front-panel controls for volume and on/off

cabinet: angled wooden cabinet

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The Delta 44 have the similar features and high performance as the Delta 66, but is designed for the person who does not require S/PDIF digital I/O. The Delta 44 features the same 24-bit 96kHz converter section that makes the Delta 66 the envy of the audio card community. And like the Delta 66, the Delta 44's breakout box handles 4 balanced or unbalanced, +4dB or -10dB signal level analog inputs and outputs. Also included is the Delta control panel software, which configures the card and controls digital mixing and routing.

Features

4x4 24-bit/96kHz full-duplex recording interface.

Configured as a PCI Host card with external audio break-out box.

4x4 analog break-out box accepts balanced or unbalanced connections
on 1/4 in. tip-ring-sleeve (TRS) jacks.

Analog I/O configurable for +4dB or -10dB signal levels.

Measured D/A specs: 103dB (A-weighted) dynamic range, 0.0015% THD @ 0dBFS.

Measured A/D specs: 99dB (A-weighted) dynamic range, 0.0023% THD @ 0dBFS.

All data paths support up to 24-bit/96kHz performance, no upgrades necessary.

Powerful digital mixing, routing, and monitoring capabilities.

Drivers Include: Windows 95/98, Windows NT, ASIO, ASIO2, Direct Sound, EASI, Multi-card 95/98, and Multi-card NT (up to 3 in a system), Gigasampler, Mac Sound Manager, and Mac ASIO.

Technical Description

Compatibility

ASIO 2
MME
Sound Manager
OMS
DirectX
GSIF 2
Mac OS X Core Audio / Core MIDI

Minimum System Requirements (PC)

Windows 98SE* / ME* / 2000 (SP4)* / XP (SP2)**
For 96kHz operation: Pentium III 500MHz w/ 128MB RAM
For 48kHz operation: Pentium II 400MHz w/ 64MB RAM
* No ongoing updates/support for Windows 98SE, Me or 2000
** Home and Professional Edition only. Windows Media Center Edition is not supported.

M-Audio suggests you also check the minimum system requirements for your software, as they may be greater than the above.

Minimum System Requirements (Mac)

G3/G4* 500MHz
G5 w/PCI-X expansion slots** - Incompatible exceptions
OS 9.2.2 w/128MB RAM, Opcode OMS 2.3.8 for MIDI
Mac OS X 10.2.8, 10.3.8 w/256MB RAM
Mac OS X 10.4.5, 10.5.1 w/512MB RAM
* G3/G4 accelerator cards not supported
** Intel based Mac Pro & DuelCore G5 with PCI-Express expansion slots not supported.
*** No ongoing updates/support for Mac OS 9 or Mac OS X 10.2.8

M-Audio suggests you also check the minimum system requirements for your software, as they may be greater than the above.

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Combine Record's super intuitive, streamlined recording software and Reason's legendary virtual studio rack for one incredibly powerful music application. Together they form a self-contained production environment for musicians and producers alike. Well-designed recording tools help you get the most out of your performance, while top-notch synths, drum machines and samplers let you complete your productions. The Reason Record Duo Bundle is a fast, lean and rock solid production environment that lets you stay focused on your music.

Product Features

World-renowned, award-winning music production and recording software!

Virtual racks of instruments and effects automatically patched and cabled for you

Powerful sequencing with intuitive Block pattern arrangement

Captures inspiration as it happens to keep your focus moving forward

* Recording music is all about seizing the moment. Record lets you create record-ready channels in an instant, minimizing the steps between idea and actual recording. Simply plug in, breathe out and you're ready to go.
* Your Record rack can be stacked with an infinite number of reverbs, distortion units, delays, dynamic processors, mastering EQs-everything you need to shape and color your sounds.
* Record's main mixer was faithfully modeled after* the legendary SSL 9000k.Flexible routing, full dynamics, EQ,advanced effects handling,master-bus compression,full automation and a 64-bit mix bus gives you that big studio sound right out of your computer
* For guitar and bass players, Record comes installed with separate guitar and bass POD® units from amp- and cab-simulation experts Line 6. Additional models can be added to the virtual POD units by connecting any Line 6 interface.
* Record's real-time time stretch lets you play now and pick the tempo later; change the song tempo and all your audio tracks will follow right along without any need for pre-processing of any kind. The audio quality? Amazing.

Propellerhead Record 1.5 Features

- A combination of ultra high-class mixer and limitless audio processing gear

- Leave it to build itself or tweak it to your heart's content

- Fast and flexible sequencer helps you arrange your tracks effortlessly

- Move and edit parts, arranging takes into the single best performance

- Software mixer faithfully modeled after the legendary SSL 9000K

- Flexible routing, full dynamics, EQ and advanced effects handling

-Full automation and a 64-bit mix for huge studio sound

- State-of-the-art dynamic multi-core audio handling

- Never worry about track counts or adding extra reverb or delay

- Built-in virtual POD from Line 6 for Guitarists adds amps, cabinets and effects

With unlimited audio tracks, world class effects and mixing gear and a whole new take on music recording, Propellerhead's Record Version 1.5 is here to provide an intuitive, straightforward interface and a hands-on approach to capturing performances! Record was designed for musicians-not audio engineers. Propellerhead's Record allows easy recording and editing for professionally polished audio!

Propellerhead Reason Features

- Gigabytes of synths, samples, drum kits, and effects

- Simple virtual rack setup with rear connection view to make adjustments

- Expandable Sound-bank with Reason ReFill libraries (sold separately)

- Edit each virtual rack module from its own on-screen front panel

- Record and automate each effect and adjustment with the built-in sequencer



Windows System Requirements

Processor: Intel P4/AMD Athlon XP at 2GHz or better
(multiple cores highly recommended)

Memory: 1 GB RAM or more

Storage: 3 GB free hard disk space (program may use up to 20 GB scratch disk space)

Operating System: Windows XP SP3, Vista or Windows 7

Display: Monitor with at least 1024x768 resolution

Other:
- DVD drive
- Free USB port for Ignition Key
- Internet connection for registration
- Interface: Audio Interface with ASIO driver

Mac System Requirements

Operating System: Mac OS X 10.4 or higher

Processor: Intel Mac (multiple cores highly recommended)

Memory: 1 GB RAM or more

Storage: 3 GB free hard disk space (program may use up to 20 GB scratch disk space)

Display: Monitor with at least 1024x768 resolution

Other:
- DVD drive
- Free USB port for Ignition Key
- Internet connection for registration
- Interface: CoreAudio compliant audio interface or built-in audio hardware

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The Alesis USB Studio Drum Kit allowing drummers and studios to track drum performances with MIDI software and hardware sound modules. This USB/MIDI drum set features dual-zone RealHead drum pads, low-noise DMPad Cymbals, and a compact, studio-friendly StealthRack drum rack. Harness the powerful processor in your computer to create incomparably realistic electronic drum tracks.

The Alesis USB Studio Drum Kit harnesses your Mac or PC's processing power, enabling you to make incredibly realistic and incomparably flexible drum performances. You can record in a live or pieced-together drum track and change the sound later, easily with the USB Studio Drum Kit. The true touch of real, tunable, mylar drum heads, combined with low-noise DMPad Cymbals, creates an acoustic-feeling, great-sounding drumming experience.

Features
- Five-piece electronic drum set with USB/MIDI computer interface

- RealHead drum pads feature genuine 8" mylar drum heads for customizable feel

- Low-noise DMPad Cymbals: Hi-Hat, Crash, dual-zone Ride; Crash and Ride with choke

- Dual-zone snare and tom pads for a wide palette of sounds from a standard setup

- Ultra-fast triggering with software sequencers, recording software, and MIDI hardware

- 10 TRS inputs for kit expansion with additional pads, cymbals, and acoustic drum triggers

USB/MIDI for Hardware and Software
Just plug the kit's Trigger|iO interface into your Mac or PC's USB port, load up your sequencing, recording, or virtual instrument software, and you're ready to play. Because the USB Studio Drum Kit is MIDI compatible, you can track a performance, and then go back afterward and tweak your sounds. Try that with acoustic drums!

The Alesis USB Studio Drum Kit also opens up a new world of software including BFD, Toontrack, and Reason to drummers and producers looking for realistic drum performances.

Advanced Drum Pads
The USB Studio Drum Kit's acoustic-feeling RealHead drum pads are built around 8" mylar drumheads and acoustic-dampening foam for quiet response. The snare and tom pads are dual-zone, allowing rimshot or rim-click sounds on the snare and additional sounds such as wind chimes, cymbals, gongs, and cowbells on the tom rims.

The drumheads can be replaced with any model you choose from any manufacturer. The heads are tunable with a standard drum key for adjustable tension and feel. The triple-flanged counterhoops are covered in removable, sound-reducing rubber sleeves, which further cut acoustic noise.

The USB Studio Drum Kit includes a self-standing RealHead Kick Pad with stand, to which any model of single or double-bass-drum pedal can be attached. The kick pad also features a tunable, 8" mylar playing surface.

Cymbals Made for the Studio
The USB Studio Drum Kit includes a set of low-noise DMPad Cymbals. The kit includes a DMPad Hi-Hat Cymbal, a DMPad Crash Cymbal, and a dual-zone DMPad Ride Cymbal. DMPad Cymbals provide a rubberized playing surface for a great balance between natural cymbal feel and low stick-on-pad sound. The Crash and Ride feature large choke triggers on the undersides for accurate cymbal control. The DMPad Hi-Hat Cymbal and RealHat Pedal give you continuously variable control from wide open to tightly closed.

StealthRack and Hardware
The fully adjustable, compact StealthRack is built of 1 1/2" metal tubing, which is standard throughout the drum industry. It's easy to expand the USB Studio Drum Kit with any manufacturer's clamps and mounts. All necessary clamps, professional 1/4" cables, and mounting hardware are included. All clamps adjust with the included drum key. All of the hardware on the USB Pro Drum Kit is designed for sure grip and extensive adjustability.

Track the most realistic MIDI drum performances possible. Realistic feel meets sonic and creative flexibility in the USB Studio Drum Kit.

Includes
- (4) RealHead 8" Dual-Zone Pads
- RealHead Kick Pad with stand, for use with single or double kick pedals, sold separately
- RealHat Pedal hi-hat continuous controller
- DMPad Hi-Hat Cymbal
- DMPad Crash Cymbal
- DMPad Ride Cymbal
- StealthRack black drum rack, complete with all mounts and cables
- Trigger|iO trigger-to-MIDI USB interface
- Software CD
- USB cable
- Quick start guide



Specifications

Trigger Inputs: (10) 1/4" TRS

Footswitch Inputs: 1/4" hi-hat continuous control, 1/4" TRS for up/down footswitch

Outputs: USB, MIDI

Presets: 20

System Requirements
Mac: OS X

PC: Windows XP or Vista

USB port

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The Digidesign Command 8 control surface puts full control of Pro Tools TDM or LE at your fingertips more affordably than ever before - for both Windows XP and Mac OS X. While there are several compact control surface options from third-party manufacturers compatible with Pro Tools, only Command 8 was made by Digidesign and Focusrite specifically for Pro Tools. As a result, Command 8 provides a great deal more sophisticated control with Pro Tools software, and has been tested and qualified specifically for Pro Tools.

Borrowing elements from Digidesign's higher-end control surfaces, Command 8's eight bankable channels of moving faders, rotary encoders, and displays enable you to control Pro Tools with the hands-on feel of a traditional analog console. What's more, its onboard monitor system features Focusrite audio performance and quality, accommodating Pro Tools audio along with external inputs, speakers, and separately controlled headphone outs. Through a simple USB connection facilitates communication between Command 8 and your computer.

Command 8 also includes an integrated, fully editable MIDI interface and features a stand-alone MIDI controller mode, allowing you to use it with your favorite third-party MIDI applications and devices - any that accept MIDI control change messages for level, panning, solo, mute, MIDI Machine Control, and other mappable parameters.

For post production suites, Avid products are natively supported by Command 8, including Avid Media Composer. When used with Avid products, Command 8 can be used to control the Automation Gain Tool for recording dynamic volume automation as well as Solo, Mute and Snap Mode on and off. Better yet, Command 8's onboard monitor section alleviates the need for an external mixer for speaker control.

Features:

Inexpensive, full-featured control surface specifically designed for Pro Tools

Supports both Pro Tools TDM and LE systems (independently)

Simple USB connection to your PC or Mac

Compact size; comfortable ergonomic layout

8 touch sensitive motorized faders, 8 automatable rotary encoders with LED rings

Big, bright, 110-character (55 characters x 2 rows) backlit LCD display for easily viewing information

Integrated 1-IN/2-OUT MIDI interface (16 channel in, 32 out)

Standalone MIDI controller mode

Flexible Focusrite onboard monitoring section

Works natively with the Avid family of products. Automation Gain Tool

May be used in conjunction with ProControl, Control 24, and Digi 002

Same Day Music is an authorized dealer of Digidesign products.



Dynamic Range: 102dB (unweighted, 105 dB or better A-weighted)

THD+N: better than 0.0015%

Frequency response: 20Hz to 20kHz, +/- 0.2dB

Maximum input level: +22dBu balanced (matches max. output level of 888 24s or 192 I/Os, +4dBu nominal; -18 dBFs reference level)

Dimensions (HxWxD): 4.75 x 16.375 x 17.125 in. (12.07 x 41.6 x 43.5 cm.)

Weight: 11.3 lbs / 5.13 kg

110-character LCD Display: Displays track names, track & plug-in parameter values, timecode, etc.

Channel View Controls:
Plug-in or Pan/Send controls for a selected INSERT or SEND
Buttons: EQ, DYNAMICS, INSERT, PAN/SEND/PRE, PAGE, Master Bypass, ESC

Console View Controls:
Controls status display of pans, sends, or inserts across all channels simultaneously
Defaults to channel pan position; select A-E to determine which SEND or INSERT values are displayed in the scribble strip

Modifier Keys: Correspond to their computer keyboard counterparts

Fader Section:
100 mm touch-sensitive moving faders with support for +12 dB fader scale
SELECT, SOLO and MUTE buttons and color-coded LED indicators
Multi-purpose rotary encoders with 11-LED rings displaying pan position, send level, etc.
Five-segment LED meters (0 to +42 dBFS)

Control Room and Headphone Controls:
Control Room: Mute, Mono, and External Source monitor selectors; dedicated volume level control
Headphones: 1/4 in. stereo headphone jack; dedicated volume level control

Miscellaneous Controls and Indicators:
Record-enable, Pan/Meter (with L/R indicators), Enter, and Undo selectors
Standalone button - Places Command 8 into stand-alone controller mode
USB and MIDI activity indicators

Master Fader/Flip Controls:
Master Fader: Activate to move master fader control to the rightmost faders
Flip: Activate to move PAN/SEND or INSERT control from rotary encoders to faders

Navigation Keys: Four-key navigation pad enables you to BANK through software mixer eight faders at a time, NUDGE through mixer one channel at a time, or ZOOM in or out on track data horizontally or vertically, and move the play selector horizontally and vertically

Specialized Function Controls: Including Utility,Midi Edit (for MIDI mapping), PRE/Midi recall (recalls MIDI controller sets, MIDI maps, or Digidesign PRE parameter values), Fader Mute, and plug-in Focus

General Controls: Select Pro Tools interface window (Plug-in, Mix, or Edit), Loop Play, Loop Record, Quick Punch, and Memory Location

Transport Controls: Control common transport functions within Pro Tools (Play, Record, Stop, etc.)

Interfaces:
1-IN/2-OUT MIDI interface
USB connector
1/4" Punch In connector

Outputs: Speaker outputs - 1/4" TRS (balanced/unbalanced) connectors with +4 / +10 push button

Monitor Inputs: Main and External Source stereo inputs - 1/4" TRS (balanced/unbalanced) connectors with +4 / +10 push button per pair

Power:
Power cable connector
Power switch

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Communication is the basis for any great relationship.
That's what makes Mackie Control Pro Series controllers the perfect match for your music production software. Thanks to their unique proprietary communication protocol, Mackie Control Pro Series controllers know just how to sweet-talk your software, and your software knows just how to react. You get deep, intuitive control of mix and plug-in parameters, real-time visual feedback, and setup is plug and play.

Mackie Control Pro Series controllers make it simple to grow the relationship, too. The Universal Pro control surface, Extender Pro control surface extension and C4 Pro plug-in and virtual instrument controller all seamlessly integrate, so you can put control of all your software parameters right at your fingertips.

Features

Eight-Fader Control Surface Extension for MCU Pro

Proprietary Mackie communication protocol for seamless software integration by DAW makers

100mm touch-sensitive optical Penny + Giles motorized faders

Multi-function V-Pots for fast control of panning, effects levels and more

Channel mute, solo, pan, send level and record arm functions

Full meter display with track names and parameters

Same Day Music is an authorized dealer of Mackie products.

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The first awesome sounding professional guitar effects pedals designed to offer a wide range of cutting edge and legendary effects tones in a programmable stomp box format.

Tired of the same old effects? You say you want something a little bit... unique? The FM4 Filter Modeler, part of Line 6's award winning line of Stompbox Modelers, gives you an array of vintage and new effects from just a wee bit odd to full frontal freaky! From the gentle auto-wah of an envelope filter to the complete wackiness of mutated VCO controlled ring modulators, FM4 can get as strange as you wanna be.

Offering an great collection of vintage filter and monophonic synth effects, 24-bit processing, and true bypass, the FM4 features 16 models of classic and collectible filters and synths. With 4 programmable presets, the FM4 gives guitarists easy access to a set of world-class tones and controls for customization.

Product Features
- 4 completely programmable presets available at the tap of a toe. No more need for multiple pedals for multiple effects.
- True Bypass switching, so your direct tone is exactly that; direct from your guitar to your amp.
- Expression Pedal Input - for real time control of all effect settings. Also the ability to morph between settings lets you create effects not possible with the originals.
- Stereo inputs and output
- Runs from batteries or optional power adapter.
- Also the ability to morph between settings lets you create effects not possible with the originals.
- Expression Pedal Input - for real time control of all effect settings.

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